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243: Salò, or the 120 Days of Sodom
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Pier Paolo Pasolini’s notorious final film, Salò, or the 120 Days of Sodom, has been called nauseating, shocking, depraved, pornographic . . . it’s also a masterpiece. The controversial poet, novelist, and filmmaker’s transposition of the Marquis de Sade’s 18th-century opus of torture and degradation to 1944 Fascist Italy remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in. -From the Criterion Collection: http://www.criterion.com/asp/release.asp?id=17 On Thursday will be screening the new Criterion edition of Salò as part of our course S&M (http://thepublicschool.org/44/sadism-masochism-2/). This screening is open to all. Date: November 20 8-10pm |
