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Afrofuturism 2.0: A Transdisciplinary Agenda for Africa and its Diaspora

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A lecture and discussion with Dr. Reynaldo Anderson. Wednesday, 24 June at 19:00.
 
In the 20th century, afrofuturism was regarded as a medium of expression in speculative fiction, literary or music production. In the early 21st century, afrofuturism is now emerging as prominent cultural logic and aesthetic in Africa and its diaspora. This ascendant philosophical perspective provides a space to critique the link between rhetoric, gender, race, sexuality, technology, and the future as it effects the production of science fiction, techno-culture, politics, philosophy, art, and media.  
 
Dr. Reynaldo Anderson will present his research at The Public School Berlin to examine how afrofuturism constructs race and identity, and how these constructions are both unique and inextricably connected to rhetorical acts and historical narratives of future, present and past. Afrofuturisum engenders a new understanding of how the contemporary techno-sphere engages, challenges and rearticulates “Black” cultural identity, political formations, experiences and futures between Africa and its diaspora in a global context.
 
Anderson's lecture will be followed with a response by Beatrice Ferrara, Affiliated Fellow ICI Berlin, who is co-organizing this event with us.
 
In addition to the texts discussed during that class, we have also posted new material below that will provide a broader context to Anderson's lecture. We plan to devote an hour to conversation so please bring questions and comments. We also hope to subsequently organize a followup meeting related to this topic over the summer.
 
Biography of Dr. Reynaldo Anderson
 
Dr. Reynaldo Anderson currently serves as an Assistant Professor of Humanities and Teacher Education, Assistant Professor of Communications, and as the chapter advisor for the NAACP at Harris-Stowe State University in Saint Louis, MO. Dr. Anderson has published extensive research documenting the African American experience in the Communication Studies field and recently co-authored an essay on the topic of Afrofuturism and Kanye West in Quentin Tarantino’s Django Unchained. He is editor of the forthcoming book Afrofuturism 2.0: The Rise of Astro-Blackness to be published spring 2015 by Lexington Books. He is a past chair of the Black Caucus of the National Communication Association. Also, Dr. Anderson serves as an executive board member of the Missouri Arts Council and supports the inclusion of art in K-12 education, focusing on the importance of the arts in relation to the economic and intellectual vitality of the community. Dr. Anderson was recognized in 2010 for his efforts in the humanities with an exemplary community leadership award from Governor Jay Nixon. Dr. Anderson was recently appointed as a Development Ambassador for the Sekyere (pronounced Se-Sharay) Afram Plains District in the country of Ghana to support the U.N. Millennium goals and promote the socio-economic empowerment of women and youth.  
 
Readings
 

"Black To The Future: Interviews with Samuel R. Delany, Greg Tate and Tricia Rose" by Mark Dery
https://thenewblack5324.files.wordpress.com/2012/08/mark-dery-black-to-the-future.pdf

Luciana Parisi on Octavia Butler's Dawn
http://virtualfutures.co.uk/archive/papers/pleasure-to-desire/

The Last Angel of History by John Akomfrah
http://popcorn-time-free.com/movies/movies/109226-last-angel-of-history

On the Run by TheSpaceApe
https://www.youtube.com/watch?v=DNiP6safPIE

"Super-natural futures: One possible dialogue between Afrofuturism and the Anthropocene"
https://mutablematter.wordpress.com/2013/08/13/super-natural-futures-one-possible-dialogue-between-afrofuturism-and-the-anthropocene/

The chapter on Grace Jones in Steven Shaviro's Postcinematic Affect
http://www.thing.net/~rdom/ucsd/biopolitics/PostCinematicAffect.pdf

 

Teacher: 
Reynaldo Anderson
Status: 
scheduled
Wednesday, June 24, 2015 - 19:00
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Comments

TPS's picture

hi @Rupert,

The Public School Berlin is located at A Public Library, Oranienstraße 72, 10969!

-c

I
It may be obvious but I can't see the venue.  What  missing?

 

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