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"Introduction to Sound Design and Algorithmic Music Programming with SuperCollider" blog

SuperCollider class description (verbose)

"Introduction to Sound Design and Algorithmic Music Programming with SuperCollider"

Course Description (verbose!)
 
**** Requirements

* Background

Since SuperCollider ("SC" from here on) is a pretty specialized tool, and there is a lot of ground to cover, participants should have some basic experience working with electronic sound, and preferably some past exposure to programming - in any language (including graphical languages like Max/MSP), and on any platform.

Or, to put it differently,

You are fully qualified for this class if (for example):
- you like modular synthesizers, and you really want to build one in the digital domain.
- you know how to do some programming, and you would like to apply these skills to the manipulation of audio in a convenient and interactive fashion.
- you know your way, very thoroughly, around a modern digital recording studio.
- you are comfortable with Pd or Max/MSP.
- you know how to make fancy JavaScript apps, and you know the correct definitions of Decibel and Hz.

I do not recommend it if (for example):
- you have never worked with sound on a computer before
- you hate math and numbers
- code makes your eyes glaze over... (I have literally seen this happen)


* Equipment

Bring a computer so you can follow along with the coding examples:
- Your computer must be able to make sound; built-in speakers are OK.
- I recommend a microphone as well, but it's not totally necessary.
- A wireless network card will probably come in handy.
- Apple OS X users will have the easiest time.
- Windows is not too bad, but you're kinda on your own if anything goes wrong.
- SC on Linux is just lovely, but you must have some experience with configuring audio and networking on Linux, and with using/customizing one of the major text editors (emacs, vim or gedit.) There are Linux distributions which ship with SC installed; some of these are available as a bootable image (search for "ubuntu studio" or "puredyne")

Whatever your hardware/OS, try to install SC and run some of the examples before coming to the first class; make sure there are no weird issues with your audio or network setup. If you have problems, email me. (ezra dot buchla at gmail dot com)

( get SC here: http://supercollider.sourceforge.net/downloads/ )

Bring a MIDI controller or gamepad/joystick, if that's your thing.


**** Syllabus (sort of)

Each class session will be 3 or 4 hours. The ultimate direction and pace of the class will depend on who attends it. But it will be pretty fast cause there's a lot to do.

Things that we will definitely cover, in their probable order of presentation:
- basic syntax and features of the SC programming language
- the SC audio architecture and how to use it
- implementations of "traditional" synthesis/effects (FM synthesis, additive/subtractive synthesis, delay-based, waveshaping)
- live sampling, looping, granular (re)synthesis
- generating complex "musical" structures; which is to say, streams of numbers arranged in time
- some simple chaotic and stochastic algorithms
- techniques for non-realtime input and output (audio files, "score" and data files)
- techniques for realtime input and output (MIDI controllers, mouse and keyboard, gamepads/joysticks)
- basic (very basic) object-oriented concepts, sufficient to build your own SC classes and standalone apps

Things that we can discuss, given enough time and interest:
- building graphical user interfaces
- generative video
- spectral domain processing
- more "musical" algorithms from mathematical models: cellular automata, discretized differential equations
- other kinds of realtime (and semi-realtime) I/O: network communication, serial/arduino devices
- plenty of other possibilities...


Some caveats, and what will NOT be covered:

- We will probably not get into the most exotic and theoretically-difficult audio synthesis/analysis techniques that SC provides; for example: MFCC/machine listening, LPC.

- We will be sticking to the core SC class library; there are many many third-party extensions to do all kinds of specialized things.

- We will not get into custom UGen programming, which requires proficiency in C++.

- There will inevitably be some explanations of acoustic and musical terminology, on an as-needed basis. But these will be sort of sketchy and non-technical.

- Likewise, we will skip the hard-core details of sampling theory, digital filter design, spectra of AM/FM/feedback structures, the FFT, and other stuff that is mathematically involved.

- We will not be talking in any great depth about cool computer-science stuff like functional programming, or even object-oriented programming (justenough to be dangerous...) Since SC is so broad and encompasses so many programming styles, it is a great environment in which to explore such topics. But I will try and code things in what I consdider the most obvious way, which basically means favoring consistency over efficiency, and procedural (C-style) structures over functional (Lisp-style) structures. Anyways I'm not a trained Computer Scientist.

*** Finally...


And here is a sort of random smattering of in-depth links about relevant topics. None of this is necessary reading, but they may give some idea of the topics we will necessarily be touching on:

- The venerable music-dsp.org FAQ, containing useful tidbits on many topics in digital audio engineering:
http://music.columbia.edu/cmc/music-dsp/musicdspFAQ.html
(I especially recommend the sections on aliasing, pitch shifting, and mixing, if you're new to this stuff.)

- Kyle Gann's introduction to just intonation:
http://www.kylegann.com/tuning.html
(Just intonation basically refers to the practice of describing pitch intervals as frequency ratios of whole numbers. Even if you're not interested in this from a musical perspective, it is valuable to understand for programming harmonically related sounds.)

Rob Hordijk's  introduction to FM synthesis (on the nord modular, but whatever):
http://www.clavia.se/nordmodular/modularzone/fmsynthesis.html
(a taste of the variety of possible applications of a single synthesis technique; all of these are easy to implement in SC)

Julius O. Smith's introduction to digital filters:
https://ccrma.stanford.edu/~jos/filters/What_Filter.html
(the book gets technical soon, but the introductory paragraphs are helpful for everyone.)

An introduction (by "Nirosh") to object-oriented software design:
http://www.codeproject.com/KB/architecture/OOP_Concepts_and_manymore.aspx
(be warned: this one is really geeky.)

Finally, here is a list of SC tutorials in case you want to get a head-start:
http://supercollider.sourceforge.net/learning/

Whew... ok, that's all for now. Please feel free to send me any questions: ezra dot buchla at gmail dot com, or use the Public School website: http://la.thepublicschool.org/node/1982/

thanks,
- Ezra Buchla

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